We are all always looking at ways to improve how we get a gig.
This is a great post on KnowtheMusicBiz that looks at the 'what's in it for me' attitude that every promoter or venue that you approach will have. It's natural that they need to have their best interests at heart, so don't fight it - play up to it.
When I used to play drums in a band I wrongly assumed that to get gigs I have to send demos out – the better my music, the high the acceptance rate. It seems sensible right? My thinking was basically that if I send more demos and make better music then I will get more gigs, which is true, but a bad way of thinking (IMO).
Here’s why. The theory above does not take into account the two main criteria that promoters subconsciously take into account when booking bands; will they make me money? and should I make a personal effort to help them? (by this I really mean are they a friend, or have they been recommended by someone close, or do they just seem like really nice people). So if I were to work on arranging gigs for a band now I would be thinking: Here are ten ideas to think about.
1. How can I offer more financial value to the promoter at gigs
2. How can I build a relationship between myself and promoters I’ve never met.
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